When he was directing his 1958 masterpiece Touch of Evil, Orson Welles demanded to forego opening credits, but the studio refused to comply. Welles knew what everyone knew, namely that opening credits are boring. Read more...
When he was directing his 1958 masterpiece Touch of Evil, Orson Welles demanded to forego opening credits, but the studio refused to comply. Welles knew what everyone knew, namely that opening credits are boring. Fifty-one years later, the opening credits of Into the Blue 2: The Reef (2009) again bucked tradition by featuring the coin slot of bikini-clad 34-35-36 model Michelle Vawer as she swims around underwater. As Welles himself said, “A film is never really good unless the camera is an eye in the head of a poet,” and no one could deny that Michelle’s underwater ass cleavage is poetry in motion!