A slim and slinky sexpot with a taste for going starkers in high-brow skinema endeavors, Stefania Casini is one of Italy’s finest contributions to the visual arts. Redheaded Casini first alerted the sensibilities of Stateside esthetes by striking a bush-forward pose in Andy Warhol’s Blood for Dracula (1974). The campy sendup of the vampire myth benefitted from Stefania’s face radiating sun-kissed insolence atop her lean, limber, perfectly proportioned body, which happens to be lolling sans stitch one of clothing a great deal of the time. Casini jumped back into bed, with no clothes naturally, in the Italian production 1900 (1976). Equally naked Robert DeNiro and Gerard Deperdieu were both on hand to meat her in the sheets. Stefania continued to doff her duds for at least another ten years, as proven by the bush and ass crease granted to The Belly of an Architect (1987).