Kei Mizutani is proof that sexploitation is alive and well in Japan. She made her nude debut in the classic A Weather Woman (1995), where she gets ratings not with accurate forecasts but with flashes of her white panties. Terminatrix (1995) found the big-breasted babe improving on the James Cameron franchise by losing the clothing. She kept the clothes off in the nude modeling portrait Kei Mizutani: Undressed for Success (1995), and returned to the nasty narrative in Tokyo Decameron: Three Tales of Madness and Sensuality (1996), where Kei is strip searched and is discovered to be hiding big tits. The Ladies’ Phone Club (1996) kept fans on the line, but it was in Sumo Vixens (2001) that kink made its finest expression with Kei as a rocking, socking G-strung wrestler. You’ll be up for the count.