Full figured, full frontal, and boasting more curves than an Italian racetrack, Yugoslavian dough-baby Dobrila Cirkovic has worked off an on for the last thirty years--but her greatest addition to international skinema was found in Lepota poroka (1986), a.k.a. The Beauty of Sin. It was there that Dobby proved that chunky women can be thickaliciously sexy too. Her most recent project came in 1998 with the provocatively titled Three Palms for Two Punks and a Babe, but since Dobrila’s gotta be in granny mode these days, we won’t hold out for much new nudity.