With straight, jet-black hair framing the perfect, pleasing oval of her cherubic and placid face, as pale and deeply lustrous as a pearl, queenly Mississippian Brenda Venus might easily have posed as though rising out of an oyster shell for the Renaissance painter Botticelli's immortal Birth Read more...
With straight, jet-black hair framing the perfect, pleasing oval of her cherubic and placid face, as pale and deeply lustrous as a pearl, queenly Mississippian Brenda Venus might easily have posed as though rising out of an oyster shell for the Renaissance painter Botticelli's immortal Birth of Venus. Unfortunate for art history class, but fortunate for those eager aesthetes who haunt video-store rental shelves, Brenda was born a few hundred years too late to be hanging in some dusty European museum but just in time for the 1970s explosion in exploitation cinema. Admire this modern masterpiece in The Psycopath (1973), Foxy Brown (1974), or The Swashbuckler (1976).
